Multicultural Events and Programming

This thematic exhibition incorporates student research from History of Art and Architecture Professor Akiko Walley’s spring 2026 Japanese print course that focused on “the dramatic,” including dynamic prints of Kabuki theaters and actors, changing expressions of human bodies, and dramatizations of historical events and legends. Featuring recent gifts by Lee and Mary Jean Michels and Irwin Lavenberg, the undergraduate and graduate students in the course examined woodblock prints of the 18th-20th centuries that showcased action and powerful emotion with compelling graphic design. The exhibition is complemented by a selection of Japanese modern and contemporary prints, paintings, textiles, decorative arts, addressing the theme of “drama,” and includes a number of recent acquisitions. This exhibition was coorganized by chief curator Anne Rose Kitagawa.

Jeffrey Gibson: They Teach Love presents a survey of 20 artworks by Jeffrey Gibson (American, b. 1972), one of today’s foremost contemporary artists, curated exclusively from the collections of Jordan D. Schnitzer and his family foundation. Gibson, who is of Mississippi Choctaw and Cherokee heritage, combines aspects of Indigenous art and culture with modernist traditions, navigating and disrupting the expectations placed upon Native artists working within the contemporary art world. By uniting sculpture, paintings, prints, and video with elk hides, tipi poles, wool blankets, beadwork, and fringe, Gibson celebrates the artistry of Indigenous cultures. He adorns and converts utilitarian items (including punching bags, flags, banners, and illuminated signs) to art objects that vibrate with spiritual power, carrying his belief that objects, and people alike, have the potential for radical transformation.

The exhibition’s centerpiece is an expansive and immersive work titled To Name An Other (2019) comprised of 51 screen printed elk hide drums and 50 wearable garments. Originally commissioned as a performance by the Smithsonian’s National Portrait Gallery, To Name An Other marks a turning point in the artist’s career whereby Gibson has increasingly sought out collective-based projects and performances to activate the communities within which he works. Collaboration is at the heart of his recent social practice. Working and learning together may aid in decolonizing minds and institutions, revealing a future we wish to inhabit. In 2024, Gibson was selected as the first Indigenous artist to represent the US Pavilion with a solo presentation at the Venice Biennale, further demonstrating how his vibrant and powerful voice continues to broaden the view of American art history, contemporary times, and our future.

Jeffrey Gibson: They Teach Love – From the Collections of Jordan D. Schnitzer and His Family Foundation was curated by Ryan Hardesty, Executive Director and Curator of Exhibitions and Collections, Jordan Schnitzer Museum of Art, Washington State University, for its originating institution in 2023. Its presentation for the UO’s Jordan Schnitzer Museum of Art was organized by Danielle Knapp, McCosh Curator.

Join your on-campus Peace Corps recruiter at the Veteran and Military affiliated center for coffee, questions, and answers.

Continue serving without giving up what you’ve earned—and with strong support throughout Peace Corps service:

• Monthly living allowance that covers housing, food, and essentials (amount varies by country).
• Full necessary and appropriate medical and dental care during service.
• Flights, paid leave, and training.
• Volunteer service award ($10,800 pre-tax after completing 27-month service)
• Lifetime educational benefits through the Paul D. Coverdell Fellows program
• Federal career benefits, such as non‑competitive hiring eligibility after two years.

Learn more about serving as a veteran here.

The Global Opportunities Fair is a collaborative initiative hosted by the Schnitzer School of Global Studies and Languages and the Lundquist College of Business (LCB). The event connects students with academic and co-curricular global experiences through partnerships with the Center for Academic Advising, Global Education Oregon (GEO), the Career Center, and other campus partners.

Bringing together academic programs, advisors, student organizations, career services, study abroad providers, and faculty, the fair highlights how international experiences and language proficiency can enrich students’ education and contribute to professional success across industries and sectors.

Whether you’re a Lundquist College student exploring global markets or a Schnitzer School student looking to apply your language and cultural skills in international business contexts, the Global Opportunities Fair is an opportunity to discover new connections, explore global experiences, and uncover pathways that bridge academics, culture, and career development.

This thematic exhibition incorporates student research from History of Art and Architecture Professor Akiko Walley’s spring 2026 Japanese print course that focused on “the dramatic,” including dynamic prints of Kabuki theaters and actors, changing expressions of human bodies, and dramatizations of historical events and legends. Featuring recent gifts by Lee and Mary Jean Michels and Irwin Lavenberg, the undergraduate and graduate students in the course examined woodblock prints of the 18th-20th centuries that showcased action and powerful emotion with compelling graphic design. The exhibition is complemented by a selection of Japanese modern and contemporary prints, paintings, textiles, decorative arts, addressing the theme of “drama,” and includes a number of recent acquisitions. This exhibition was coorganized by chief curator Anne Rose Kitagawa.