{"id":30850,"date":"2019-08-07T13:38:05","date_gmt":"2019-08-07T20:38:05","guid":{"rendered":"https:\/\/csws.uoregon.edu\/?p=30850"},"modified":"2021-01-13T09:37:24","modified_gmt":"2021-01-13T17:37:24","slug":"tina-campt","status":"publish","type":"post","link":"https:\/\/csws-archive.uoregon.edu\/tina-campt\/","title":{"rendered":"Feb. 17: Tina Campt, \u201cThe New Black Gaze\u201d"},"content":{"rendered":"\n

Ford Lecture Hall, JSMA<\/p>\n\n\n\n

Lorwin Lectureship Series<\/em><\/strong><\/p>\n\n\n\n

Tina M. Camp<\/a>t is Owen F. Walker Professor of Humanities and Professor of Modern Culture and Media, Brown University. She is a founding member of the Practicing Refusal Collective, and the author of three books: Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich<\/em> (2004), Image Matters: Archive, Photography and the African Diaspora in Europe<\/em> (2012), and Listening to Images<\/em> (2017). <\/p>\n\n\n\n

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Tina Campt<\/figcaption><\/figure><\/div>\n\n\n\n

Professor Campt is the recipient of numerous research grants and fellowships and serves as Research Associate at the Visual Identities in Art and Design at the University of Johannesburg, South Africa.<\/p>\n\n\n\n

From the Publisher: \u201cIn Listening to Images<\/a><\/em> (Duke University Press, 2017),<\/em> Tina M. Campt explores a way of listening closely to photography, engaging with lost archives of historically dismissed photographs of black subjects taken throughout the black diaspora. Engaging with photographs through sound, Campt looks beyond what one usually sees and attunes her senses to the other affective frequencies through which these photographs register. <\/p>\n\n\n\n

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\u201cShe hears in these photos\u2014which range from late nineteenth-century ethnographic photographs of rural African women and photographs taken in an early twentieth-century Cape Town prison to postwar passport photographs in Birmingham, England and 1960s mug shots of the Freedom Riders\u2014a quiet intensity and quotidian practices of refusal. Originally intended to dehumanize, police, and restrict their subjects, these photographs convey the softly buzzing tension of colonialism, the low hum of resistance and subversion, and the anticipation and performance of a future that has yet to happen. Engaging with discourses of fugitivity, black futurity, and black feminist theory, Campt takes these tools of colonialism and repurposes them, hearing and sharing their moments of refusal, rupture, and imagination.\u201d<\/p>\n\n\n\n

This year\u2019s Lorwin Lecture series is sponsored by the Center for the Study of Women in Society.<\/strong><\/em><\/p>\n\n\n\n

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The Lorwin Lectureship on Civil Rights and Civil Liberties \nis funded by a gift from Val and Madge Lorwin to the University of \nOregon College of Arts and Sciences and School of Law.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Ford Lecture Hall, JSMA Lorwin Lectureship Series Tina M. Campt is Owen F. Walker Professor of Humanities and Professor of Modern Culture and Media, Brown University. She is a founding member of the Practicing Refusal Collective, and the author of…<\/p>\n

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