{"id":23531,"date":"2016-01-11T08:00:11","date_gmt":"2016-01-11T16:00:11","guid":{"rendered":"http:\/\/csws.uoregon.edu\/?p=23531"},"modified":"2016-05-10T09:17:11","modified_gmt":"2016-05-10T16:17:11","slug":"nwws-zapotec-hip-hop-artist-mare-advertencia-lirika-in-performance","status":"publish","type":"post","link":"https:\/\/csws-archive.uoregon.edu\/nwws-zapotec-hip-hop-artist-mare-advertencia-lirika-in-performance\/","title":{"rendered":"NWWS: Zapotec hip-hop artist Mare Advertencia Lirika in performance"},"content":{"rendered":"<h5>Sunday, May 8, 7:30 p.m.\u00a0 Musical performance by Mare Advertencia Lirika. Beall Concert Hall, 961 E. 18th Ave.<\/h5>\n<p>Mare, a Zapotec hip-hop artist from Oaxaca, Mexico, and founder of Advertencia Lirika, will appear on tour for her new CD, <em>SiempreViva<\/em>. Mare uses her rap as a tool to develop consciousness and to build networks within social movements in Oaxaca and elsewhere. Always looking to expose the gender inequality that exists in society, she has worked with a wide range of groups and organizations within Mexico and throughout the world.<\/p>\n<p><a href=\"http:\/\/csws.uoregon.edu\/nwws-zapotec-hip-hop-artist-mare-advertencia-lirika-in-performance\/mare_final\/\" rel=\"attachment wp-att-24236\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-24236\" src=\"http:\/\/csws.uoregon.edu\/wp-content\/uploads\/2016\/03\/Mare_Final-300x194.gif\" alt=\"Mare_Final\" width=\"300\" height=\"194\" srcset=\"https:\/\/csws-archive.uoregon.edu\/wp-content\/uploads\/2016\/03\/Mare_Final-300x194.gif 300w, https:\/\/csws-archive.uoregon.edu\/wp-content\/uploads\/2016\/03\/Mare_Final-150x97.gif 150w, https:\/\/csws-archive.uoregon.edu\/wp-content\/uploads\/2016\/03\/Mare_Final-260x168.gif 260w, https:\/\/csws-archive.uoregon.edu\/wp-content\/uploads\/2016\/03\/Mare_Final-160x104.gif 160w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>In June 2012, NRP Music selected Mare\u2019s work as the \u201cBest Alternative Music of the Year\u201d after she toured in 25 U.S. cities in six states. In March 2013, Mare received the Maria Sabina Prize in recognition of her work in promoting women\u2019s rights through music.<\/p>\n<p>She narrates her personal history in the documentary film \u201cWhen A Woman Steps Forward\u201d (2012), directed by Sim\u00f3n Sedillo and produced by Manovuelta. The film can be accessed on YouTube.<\/p>\n<p><strong>This performance is part of the 5th annual CSWS Northwest Women Writers Symposium (NWWS)<\/strong><br \/>\n<a href=\"http:\/\/csws.uoregon.edu\/events-2\/2014-nwws\/2016-csws-northwest-women-writers-symposium\/\" target=\"_blank\">\u201cCrossing Borders: Women\u2019s Stories of Immigration, Migration, and Transition,\u201d <\/a>May 6 \u2013 8, 2016\u2028<!--more--><\/p>\n<p>The fifth annual CSWS Northwest Women Writers Symposium will be held Friday, May 6, 2016, through Sunday, May 8 2016. American Book Award winner Reyna Grande is the keynote author. She will be joined by the inimitable Ariel Gore, founding editor\/publisher of <em>Hip Mama<\/em>; Dominican-American poet and novelist Ana-Maurine Lara; novelist Miriam Gershow; novelist Chris Scofield; travel and food magazine writer Jennifer Burns Bright; documentary filmmaker and anthropology professor Lynn Stephen; documentary filmmaker and SOJC professor Gabriela Mart\u00ednez; and others . The symposium includes panel discussions, writing workshops, a keynote talk, author conversations &amp; readings, book signings, and discussion. Our theme is \u201cCrossing Borders: Women\u2019s Stories of Immigration, Migration, and Transition.\u201d This theme promises to open conversations about border politics; poverty; racism and xenophobia; climate change; ongoing effects of colonialism and genocide; family dynamics; agricultural patterns and enslavement; overpopulation; human migratory patterns; fleeing war and abuse; moving on; and traveling for discovery, growth, and as part of our archetypal human journey. How have our migrations and moves contributed to or instigated our writings? What do we move away from, and what do we go toward? What are the historical, political, and personal currents that influence our transitions\u2014from one country to another, from one state to another, from city to country, from mountains to sea, from one marriage or partnership to another, from one career to another, from one self-view to another? \u201cCrossing Borders\u201d is a multi-layered theme that will open the door to fruitful discussions of craft, creativity, challenges of survival, making room for others, and community.<\/p>\n<p>Hosted by the Center for the Study of Women in Society at the University of Oregon in cooperation with Eugene Pubic Library, this symposium is generously cosponsored by Oregon Humanities Center\u2019s Endowment for Public Outreach in the Arts, Sciences, and Humanities; UO Libraries; Center for Latino\/a and Latin American Studies; Department of Women\u2019s and Gender Studies; Department of English; School of Journalism and Communication; School of Music and Dance; and the University Health Center.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sunday, May 8, 7:30 p.m.\u00a0 Musical performance by Mare Advertencia Lirika. Beall Concert Hall, 961 E. 18th Ave. Mare, a Zapotec hip-hop artist from Oaxaca, Mexico, and founder of Advertencia Lirika, will appear on tour for her new CD, SiempreViva.&hellip;<\/p>\n<p class=\"more-link-p\"><a class=\"more-link\" href=\"https:\/\/csws-archive.uoregon.edu\/nwws-zapotec-hip-hop-artist-mare-advertencia-lirika-in-performance\/\">Read more &rarr;<\/a><\/p>\n","protected":false},"author":9,"featured_media":24236,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[36,173],"tags":[306,56,448,450,158,449],"class_list":["post-23531","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events","category-women-writers","tag-cllas","tag-csws","tag-hip-hop","tag-nwws","tag-uo","tag-zapotec"],"_links":{"self":[{"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/posts\/23531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/comments?post=23531"}],"version-history":[{"count":4,"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/posts\/23531\/revisions"}],"predecessor-version":[{"id":24238,"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/posts\/23531\/revisions\/24238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/media\/24236"}],"wp:attachment":[{"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/media?parent=23531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/categories?post=23531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/csws-archive.uoregon.edu\/wp-json\/wp\/v2\/tags?post=23531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}