{"id":24597,"date":"2016-06-27T10:41:59","date_gmt":"2016-06-27T17:41:59","guid":{"rendered":"http:\/\/csws.uoregon.edu\/?page_id=24597"},"modified":"2021-01-13T09:42:10","modified_gmt":"2021-01-13T17:42:10","slug":"sangita-gopal-2","status":"publish","type":"page","link":"https:\/\/csws-archive.uoregon.edu\/about\/people\/staff\/sangita-gopal-2\/","title":{"rendered":"Sangita Gopal"},"content":{"rendered":"
\"Sangita

Sangita Gopal<\/p><\/div>\n

Sangita Gopal <\/a>is an associate professor in the Departments of Cinema Studies and English and a faculty member in the Department of Comparative Literature.<\/p>\n

She directs the CSWS Women of Color Project<\/a>.<\/p>\n

Currently, she is working on two book projects.<\/p>\n

The first studies cinema in an intermedial domain that includes TV. Provisionally entitled, Between State and Capital: Hindi Cinema in Transition<\/em>, looks at the transactions between the Hindi film industry and the state-owned television in India in the 1970s and 80s to understand the role state-sponsored television played in the emergence of New Bollywood cinema.<\/p>\n

The second, entitled A Cinema of Friendship: Transnational Film Production and the Social Network<\/em>, focuses on the decades-long collaboration of James Ivory, Ismail Merchant and Ruth Prawer Jhabvala to examine how informal affiliations and affective ties create an independent, transnational production model that functions outside the state-based, neo-colonialist co-production matrix that c the cinema of newly-decolonized nations in the 1950s and 1960s.<\/p>\n

Books and Edited Volumes:<\/strong><\/p>\n