{"id":8954,"date":"2018-02-03T07:00:16","date_gmt":"2018-02-03T15:00:16","guid":{"rendered":"http:\/\/cllas.uoregon.edu\/?p=8954"},"modified":"2018-04-05T08:25:49","modified_gmt":"2018-04-05T15:25:49","slug":"cllas-workshop-from-manila-to-london-to-rio-two-cases-outside-the-canon","status":"publish","type":"post","link":"https:\/\/cllas.uoregon.edu\/cllas-workshop-from-manila-to-london-to-rio-two-cases-outside-the-canon\/","title":{"rendered":"CLLAS Workshop \u201cFrom Manila to London to Rio: Two Cases Outside the Canon\u201d"},"content":{"rendered":"<p><a href=\"http:\/\/cllas.uoregon.edu\/cllas-workshop-from-manila-to-london-to-rio-two-cases-outside-the-canon\/vo\/\" rel=\"attachment wp-att-8980\"><img fetchpriority=\"high\" decoding=\"async\" class=\"alignright wp-image-8980\" src=\"http:\/\/cllas.uoregon.edu\/wp-content\/uploads\/2018\/03\/vo.jpg\" alt=\"\" width=\"364\" height=\"282\" srcset=\"https:\/\/cllas.uoregon.edu\/wp-content\/uploads\/2018\/03\/vo.jpg 450w, https:\/\/cllas.uoregon.edu\/wp-content\/uploads\/2018\/03\/vo-300x232.jpg 300w\" sizes=\"(max-width: 364px) 100vw, 364px\" \/><\/a>Jane Grant Conference Room<br \/>\n330 Hendricks Hall<br \/>\n1408 University St.<br \/>\nUO campus<\/p>\n<h4>2017-19 CLLAS Series: America, Bridge Across Oceans&nbsp;<\/h4>\n<p>presented by Ch\u01b0\u01a1ng-\u0110a\u00ec V\u00f5<\/p>\n<p>This talk will focus on two case studies, exemplary of non-canonical modernism and contemporaneity\u2014the periodical <em>Signals<\/em> and the exhibition <em>The Other Story<\/em>. Edited by the Manila-born, international artist David Medalla, <em>Signals<\/em> was a periodical that ran for 10 issues from August 1964 to March 1966. Unlike the post-World War II art scenes that were developing in much of Western Europe and the U.S., <em>Signals<\/em> engaged with the Latin American avant-garde, and understood art as a meeting ground for aesthetics, physics, literature, poetry, and social transformation. Medalla was part of a group of artists from Asia, Africa and the Caribbean that Rasheed Araeen proposed for an exhibition entitled <em>The Other Story<\/em> in 1978. Not staged until 1989, the exhibition&#8217;s premise\u2014that British art history actively erased and ignored the contributions of artists of color\u2014invigorated Araeen&#8217;s practice as an artist, curator and the founder of the influential periodical <em>Third Text<\/em>.&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jane Grant Conference Room 330 Hendricks Hall 1408 University St. UO campus 2017-19 CLLAS Series: America, Bridge Across Oceans&nbsp; presented [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_piecal_is_event":false,"_piecal_start_date":"","_piecal_end_date":"","_piecal_is_allday":false,"_monsterinsights_skip_tracking":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center 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